Marie Lund
Deep Dip, 2013
Silk, oil, pigment, aluminum frame
16⅛ x 12⅕ inches (41 x 31 cm)
Rolf Nowotny
Pinocchio Leaves (beech), 2013
Treated copper and wall plug
17½ inches (44.5 cm)
Rolf Nowotny
Pinocchio Leaves (ash), 2013
Treated copper and wall plug
11⅛ inches (28.3 cm)
Flat Bed, Installation view
Rolf Nowotny
Rolf Nowotny
Terraform (Keemun), 2013
Black clay and tea
11¾ x 13 x 6 inches (29.8 x 33 x 15.2 cm)
Rolf Nowotny
Terraform (Earl Grey), 2013
Red clay and tea
12½ x 13 x 6 inches (31.8 x 22 x 15.2 cm)
Rolf Nowotny
Terraform (Oolong), 2013
White clay and tea
112½ x 12½ x 7 inches (31.8 x 31.8 x 17.8 cm)
Benjamin Hirte
untitled (wig), 2013
Screenprint on burlap
59⅛ x 47¼ inches (150 x 120 cm)
Marie Lund
Attitude, 2013
Concrete
112½ x 12½ x 7 inches (31.8 x 31.8 x 17.8 cm)
Flat Bed, Installation view
Marie Lund
Benjamin Hirte
Gamebreaker, 2013
Cut bowling ball
8 inches (20.3 cm) (diameter)
Benjamin Hirte
Gamebreaker, 2013
Cut bowling ball
8 inches (20.3 cm) (diameter)
Benjamin Hirte
Misfit, 2013
Cut bowling ball
8 inches (20.3 cm) (diameter)
FLAT BED:
BENJAMIN HIRTE
MARIE LUND
ROLF NOWOTNY
OPENING RECEPTION: WEDS, JUNE 19, 6-8PM
ON VIEW: JUNE 19-JULY 27
Benjamin Hirte
Marie Lund
Rolf Nowotny
The nearest part is in focus while the areas further back are blurry. It depends where you stand.
The inside is out of sight. Covered.
You just see the uppermost part. Where the object ends and meets the outside. Meets the eye.
The temperature. The grain. Rough or smooth. Definite or fuzzy.
The outside slowly wears the inside. And the difference between the two softens.
The surface only has one side. It has no depth. The other side is the inside.
— Marie Lund
For press inquiries and images, please contact the gallery at mail@joesheftelgallery.com.